In season finale the big twist for Mr Robot will be that it was secretly the movie
Fight Club the whole time.
Collection of mobile 3d printer robots build large structures: http://monograph.io/iaac/minibuilders … (aka the future)
From Inside Edward Snowden’s Life as a Robot:
Wizner had to jump on a phone call during a meeting with his whistleblower client. When he got off the phone, he found that Snowden had rolled the bot into civil liberties lawyer Jameel Jaffer’s office and was discussing the 702 provision of the Foreign Intelligence Surveillance Act. “It was kind of cool,” Wizner says.
It is neat but they’re marketing video is at times strangely terrifying. Put different music on when the Susan-bot comes up behind the unknowing Mark and this could be a horror movie trailer.
This might be the strangest release of classic Chicago label Trax yet! The clue’s in the title - it’s Daft Punk brassified. We get four classics by the world’s most famous Gallic robot duo: “Harder, Better, Faster, Stronger” gets turned into a 1940s Dick Tracy-style riff-off with every form of trumpet imaginable, “Around The World” mixes wind instruments with that famous vocal mantra, “Da Funk” features plenty of sassy brass and “One More Time” wraps things up on a swingin’, jazzy high.
[via motherjones]:
Sticking to an exercise routine takes dedication, and many fitness junkies swear that a running companion can be a huge help. That’s why researchers have developed “Joggobot,” a quad-rotor helicopter drone designed to motivate joggers by flying in front of them.
The aerial robot uses its camera to spot a colorful pattern on a T-shirt worn by the jogger, and flies at a safe distance ahead. The runner can control Joggobot using a smartphone: In “companion mode,” the drone simply maintains the jogger’s pace; in “coach mode,” it pushes its human trainee a little faster.
Don’t worry, there’s a video
Science!
Maybe it should chase you instead?
Waxy roundup of DMCA takedown process stupidity.
“So the Scripps TV broadcasts are indexed by YouTube, and the Content ID robots do the rest. And because Content ID disputes are judged by the copyright holder, complaints are routinely ignored or denied.”
As Hammond explained what he did, the critic became agitated. Times are tough enough in journalism, he said, and now you’re going to replace writers with robots? “I just looked at him,” Hammond recalls, “and asked him: Have you ever seen a reporter at a Little League game? That’s the most important thing about us. Nobody has lost a single job because of us.” At least not yet.
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