bom - Dave's Blog

Platonic Ideals in Anathem and The Atrocity Archives

On the topic of made up words: I get made up words for made up things, but there's already a name for cell-phone in English: its "cell-phone". The narrator notes that the book has been translated into English so I guess I'll blame the fictional translator. Anyway, I wasn't bothered by the made up words nearly as much as some folk. Its a good thing I'm long out of college because I can easily imagine confusing the names of actual concepts and people with those from the book, like Hemn space for Hamming distance. Towards the beginning, the description of slines and the post-post-apocalyptic setting reminded me briefly of Idiocracy.

Recently, I've been reading everything of Charles Stross that I can, including about a month ago, The Jennifer Morgue from the surprisingly awesome amalgamation genre of spy thriller and Lovecraft horror. Its the second in a series set in a universe in which magic exists as a form of mathematics and follows Bob Howard programmer/hacker, cube dweller, and begrudging spy who works for a government agency tasked to suppress this knowledge and protect the world from its use. For a taste, try a short story from the series that's freely available on Tor's website, Down on the Farm.

Coincidentally, both Anathem and the Bob Howard series take an interest in the world of Platonic ideals. In the case of Anathem (without spoiling anything) the universe of Platonic ideals, under a different name of course, is debated by the characters to be either just a concept or an actual separate universe and later becomes the underpinning of major events in the book. In the Bob Howard series, magic is applied mathematics that through particular proofs or computations awakens/disturbs/provokes unnamed horrors in the universe of Platonic ideals to produce some desired effect in Bob's universe.

The 'Is It UTF-8?' Quick and Dirty Test

I've found while debugging networking in IE its often useful to quickly tell if a string is encoded in UTF-8. You can check for the Byte Order Mark (EF BB BF in UTF-8) but, I rarely see the BOM on UTF-8 strings. Instead I apply a quick and dirty UTF-8 test that takes advantage of the well-formed UTF-8 restrictions.

Unlike other multibyte character encoding forms (see Windows supported character sets or IANA's list of character sets), for example Big5, where sticking together any two bytes is more likely than not to give a valid byte sequence, UTF-8 is more restrictive. And unlike other multibyte character encodings, UTF-8 bytes may be taken out of context and one can still know that its a single byte character, the starting byte of a three byte sequence, etc.

The full rules for well-formed UTF-8 are a little too complicated for me to commit to memory. Instead I've got my own simpler (this is the quick part) set of rules that will be mostly correct (this is the dirty part). For as many bytes in the string as you care to examine, check the most significant digit of the byte:

F:

This is byte 1 of a 4 byte encoded codepoint and must be followed by 3 trail bytes.

E:

This is byte 1 of a 3 byte encoded codepoint and must be followed by 2 trail bytes.

C..D:

This is byte 1 of a 2 byte encoded codepoint and must be followed by 1 trail byte.

8..B:

This is a trail byte.

0..7:

This is a single byte encoded codepoint.

Braid Recommendation

I recently finished Braid, the Xbox Live game, and a comparison with Portal is helpful. From a screen shot Braid looks like a normal 2D platformer, but that's like looking at a screen shot of Portal and saying its a first person shooter. While the scaffolding of the game-play may sort of fall into that category, the games are actually about exploring the character's ability and solving puzzles. In Portal the ability is bending space and in Braid its bending time. However, whereas in Portal there is one space bending mechanism, the portal gun, Braid's protagonist explores several different time bending techniques including, most prominently, reversing time, but also time dilation, multiple time-lines, and other odd things.

Similar to the difference in game-play, while Portal has a strict simplicity to its visual style, Braid is much more ornate, like you're playing in an oil painting. Without seeing video of the game, or playing the demo (which is available for free on Xbox Live) its difficult to convey, but it is quite lovely and the animation adds quite a bit. Both games too are rather short leaving you just a bit hungry for more and have an interesting plot and an ending that I'd hate to spoil although Braid replaces Portal's humor with melancholy. If you enjoyed Portal and Twelve Monkeys then I'd recommend Braid.