On the topic of made up words: I get made up words for made up things, but there's already a name for cell-phone in English: its "cell-phone". The narrator notes that the book has been translated into English so I guess I'll blame the fictional translator. Anyway, I wasn't bothered by the made up words nearly as much as some folk. Its a good thing I'm long out of college because I can easily imagine confusing the names of actual concepts and people with those from the book, like Hemn space for Hamming distance. Towards the beginning, the description of slines and the post-post-apocalyptic setting reminded me briefly of Idiocracy.
Recently, I've been reading everything of Charles Stross that I can, including about a month ago, The Jennifer Morgue from the surprisingly awesome amalgamation genre of spy thriller and Lovecraft horror. Its the second in a series set in a universe in which magic exists as a form of mathematics and follows Bob Howard programmer/hacker, cube dweller, and begrudging spy who works for a government agency tasked to suppress this knowledge and protect the world from its use. For a taste, try a short story from the series that's freely available on Tor's website, Down on the Farm.
Coincidentally, both Anathem and the Bob Howard series take an interest in the world of Platonic ideals. In the case of Anathem (without spoiling anything) the universe of Platonic ideals, under a different name of course, is debated by the characters to be either just a concept or an actual separate universe and later becomes the underpinning of major events in the book. In the Bob Howard series, magic is applied mathematics that through particular proofs or computations awakens/disturbs/provokes unnamed horrors in the universe of Platonic ideals to produce some desired effect in Bob's universe.
I've finally finished the Baroque Cycle, a historical fiction series set in the 17th and 18th centuries by Neal Stephenson whose work I always enjoy. There were often delays where I'd forget about the books until I had to take plane somewhere, or get discouraged reading about the character's thoughts on economics, or have difficulty finding the next volume, or become more engrossed in other books, projects or video games, and leave the Baroque Cycle books untouched for many months at a time. Consequently, my reading of this series has, I'm ashamed to say, spanned years. After finishing some books which I enjoy I end up hungry for just a bit more to read. For this series I don't need a bit more to read, I'm done with that, but I do want a badge or maybe a medal. Or barring that, college credit in European History and Macro Economics. I can recommend this book to anyone who has enjoyed Neal Stephenson's other work and has a few years of free time to kill.